One take, no overdubs or fixes as best we can tell. The upshot of all this is that Clyde's entire performance was mixed down to a single mono channel on the master recording. This was a pretty standard arrangement for professional studios of the day, as technology advanced from 2-track tape recording at the start of the 60s to 24-track by the early 70s. An echo chamber on the second floor provided reverb effects by sending audio through a speaker into the chamber, which was then re-recorded with a microphone in the highly-reflective room and brought back into the mix.Īt the time of the “Funky Drummer” recording session on November 20, 1969, the studio had the capability of recording eight tracks to tape at one time. King Studios was a complete recording facility within the complex, with a large live tracking room, separate control room and mastering studio. The business offices for James Brown Productions were housed in the King Records building as well. ![]() The entire operation was housed in one large building comprising a recording studio, mastering facilities, art studio, promotion department, and a complete vinyl pressing plant. ![]() Throughout the 1960s, James Brown recorded for King Records, based in Cincinnati, Ohio.
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